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One or more field recorders begin recording. The production sound mixer has designated one or two channels as a production sound mix, which is a consolidation of one or more channels in each multichannel recording.
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2 During shooting, the following timecode information is captured:
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The camera captures images to film, each frame of which is embedded during manufacturing with a unique identifying timecode position known as keycode.
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One or more field recorders simultaneously make multichannel recordings that are embedded with SMPTE timecode based on time of day (or longitudinal timecode).
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The camera assistant keeps a written record (called a shootlist) documenting each scene and take with a corresponding keycode position.
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The production sound mixer also keeps a written record (also called a sound log) documenting each scene and take with a corresponding timecode position.
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4 The slate operator claps the slate to indicate the beginning of the take. The field recorder records the audio of the clap, and the film camera captures the following images: